Category: Photography Equipment

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The Digital single lens mirrorless camera (DSLM) purchase guide

The Digital single lens mirrorless camera (DSLM) purchase guide


The DSLM; for a couple of years it has been changing the photography market. What started out as a poor SLT attempt developed into a completely new and booming market? The market for DSLMs (D igital S ingle L ens M irrorless) or system cameras.

These are now available for every budget and many manufacturers now have a mirrorless camera in their portfolio. But should you buy a mirrorless camera? Does it have any advantages over DSLRs ? That and much more is the content of this page and finally I will show you a few models that I would recommend.

What is a system camera / DSLM?

There are two types of system cameras, with and without mirrors. The system cameras with mirrors are called SLRs and those without are called mirrorless. Sounds logical, doesn’t it? The mirror in the DSLR is historical and comes from a time without image sensors. The system has been perfected over decades. But for a few years now, DSLMs have been picking up. Teething problems are being eradicated more and more and many photographers are seeing a new alternative that offers many advantages over the old DSLR cameras.

The mirrorless camera / DSLM in detail

Height and weight

Many see an enormous advantage here. The DSLM lacks the mirror and as you can see in the example above, this saves space and of course weight. That is why the mirrorless cameras are much smaller and lighter. But they are still bound by certain limits. They are not as small as compact cameras. This is simply not possible with interchangeable lenses and large sensors. But they are still smaller than the DSLRs and therefore more mobile and inconspicuous.

Lenses

This is a special feature of DSLMs that you should definitely not forget. Other lens connections are used that allow smaller lenses, but they are not that small. There are certain limits that are physically given and specify a certain size. If you only buy these cameras because you want something as small and portable as possible, you should look around for a bridge or compact camera .

Ergonomics

Ergonomics is probably the first thing anyone who is switching from a DSLR to a DSLM should notice. The manufacturers try to make this as similar as possible, but it is simply a different feeling that can seem strange, especially with long-term DSLR users. In direct comparison to an SLR camera, I find the DSLMs to get used to at first. They are just small and lie better in the hand of one than the other. In my opinion, many manufacturers simply have too many buttons on the small housing, which makes operation a challenge.

There is only one option here: try it out. I recommend that anyway before you buy a new camera. DSLM cameras come in different forms. Very large, such as the Sony A3 or Canon EOS R, but also very small such as the Sony A6000 or Canon EOS M50. Depending on the model, you have an electronic viewfinder or just the display to look at your pictures. In any case, try out what suits you and what suits your type of photography.

Electronic viewfinder

A DSLM or system camera takes photos with an electronic viewfinder or the display. This means that the viewfinder does not have a direct optical connection to the subject like the DSLR, but a display. It is like looking at the finished image through the viewfinder.

The electronic viewfinder offers several advantages:

  • Image preview: You get a direct idea of ​​your photo and actually see the finished image before you press the shutter release. If you now change the settings on your camera: for example , closing the aperture or increasing the ISO value , the image changes immediately and you can judge whether you like the photo or not. You can also see the picture in the viewfinder after you’ve taken it. So it’s a second display that works just like your large camera display. The advantage, however, is that you can use it without being distracted by the sun.
  • Exposure aids: Because our EVF is a display, we can use many aids that the optical viewfinder cannot offer us. We can show a histogram , use an overexposure warning and much more … You can see immediately if your camera is not doing something the way you want.
  • Manual focus: With manual focus, we can use the focus peaking to see where our focus is and even zoom into the image. A real help for manual focusing.
  • Much more: Since you can show almost everything in the displays, there are no limits to the manufacturers. Water cars, grids for image creation, image styles and much more is possible.

Now I’ve written so many great things about the electronic viewfinder that I would of course like to point out a few negative points. Because the electronic viewfinder naturally always has to be supplied with power. This should not be ignored with some models and some cameras have extreme problems with high power consumption and thus a short battery life. Also, for many photographers it is not pleasant to constantly look at a display (myself included). It’s a completely different feeling to actually see the subject instead of just being shown it. The cameras are getting better and better here, but sometimes they are lagging behind due to delayed display (the display is delayed compared to reality).

I would like to add one point for those who like to take photos at night (long exposure ). If you take a picture with the DSLR, you have the light intensity of your own eye available. With the DSLM, the display in the viewfinder depends on the power of the camera. That may not sound too bad, but there are a few moments when I would have wished for my DSLR…

If you are not sure which viewfinder is right for you, I recommend that you test both of them once and take a closer look. I find the DSLR to be much more pleasant, especially in series pictures and when photographing fast subjects, but something different suits everyone.

Autofocus

There are several options when focusing with a mirrorless camera (DSLM). You may be familiar with the first option from the DSLR. If you switch to live view here (i.e. using the display), the autofocus becomes significantly slower. This is because the camera is using the contrast AF. This simply shifts the focus until the image has the highest possible contrast has. This is very precise, but unfortunately a lot of time is lost in trying out and “pumping” the focus. That’s why there is still phase autofocus, which was reserved for DSLRs for a long time. Here, two sensors compare the light (phase) falling into the lens from different angles and thus know from the first measurement what needs to be changed on the lens to focus. Cool right?

Most modern DSLM cameras use a combination of these two methods in order to be able to focus both quickly and precisely. If you use a modern DSLM camera, you should make sure that it supports phase or hybrid autofocus.

Picture quality

We come to the last point, and in my opinion the most important point. The image quality. In terms of image quality, the system camera is in no way inferior to the SLR. Of course, not all cameras are the same here, but in most cases you don’t have to worry that you have something worse just because you are using a different system. Most cameras even have the same image sensors installed (Sony makes sensors for some Nikon cameras and Canon has installed the same sensor in the 5D4 & R and the 6D2 & Rp). There is only one real way you can be sure that the quality will meet your expectations. Test the camera 🙂

Choice of lenses

From my point of view, this is a major negative point. It is not the case with all manufacturers that the newer the manufacturer is in the DSLM market, the more likely it is that the choice of lenses is limited. For decades it took a long time to develop a wide variety of lenses for DSLR cameras. This has only just begun with DSLMs and although lenses are already on the market, one only starts with the most important ones at the beginning. One or the other special lens may not be found here yet. Of course there are adapters that allow the use of DSLR lenses, but I have made the experience that it often leads to problems (slow autofocus etc.).

There are always new lenses on the market, but keep in mind that you may not find everything here and that you have to expect limitations.

Is the mirrorless camera or system camera right for you?

This is of course a question that cannot be answered easily. I always recommend trying out the camera beforehand. But I would like to give you a little support along the way that should help you with your decision.

The DSLM is interesting for you if the following points apply:

  • You’re used to smaller cameras – that  was the first thing I didn’t like about the DSLM cameras. The size. Ok, I also come from the DSLR segment and am used to large cameras with battery handles. However, if you’ve been taking photos with a compact camera or mobile phone the whole time, then the size of the DSLM is perfect for you.
  • You can handle the digital viewfinder – the electronic viewfinder is not for everyone. Some have problems seeing everything on a display / digital viewfinder. If that is not a problem for you, then you can use the mirrorless camera.
  • You want to try something new – that was one of the reasons why I keep getting a DSLM for different jobs. It’s just fun to use a different camera. Maybe it fits better than the current one? Just keep in mind that you don’t need a new camera straight away because it can do one thing a little better than the current one.
  • Video – Yes, the site is actually called Learn Photography, but especially when it comes to video I would prefer the DSLM to the DSLR and any other camera. They’re small, they’re incredibly powerful, and you can’t beat the autofocus when filming.

Buy recommendations

Entry level DSLM

Canon EOS M50 * – Sony Alpha 5000 * – Olympus PEN E-PL9 * – Panasonic LUMIX G *

Advanced DSLM

Sony Alpha 6300 * – Olympus OM-D E-M10 Mark II *

Professional DSLM with full format sensor

Canon EOS R * – Nikon Z6 * – Sony A7 III *

Otherwise, make sure that you try your camera before buying and that you do not justify the purchase with the one feature that the new camera can do better. You take the photos and not your camera 🙂

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The compact camera – camera purchase advice

The compact camera - camera purchase advice

Which camera should I buy? One of the most frequently asked questions in the beginning of a photographer and beyond. On this page I’ll show you why compact cameras are the right choice for you; or not. Let’s go 😉

1 What is a compact camera?

2 The advantages of a compact camera

3 disadvantages of compact cameras

4 Who is the compact camera for?

What is a compact camera?

The compact camera is, as its name suggests, compact, i.e. very small and handy. All components are designed to be as small and light as possible. A small flash is usually built into the camera housing and the lenses are specially developed for the smaller cameras and are also smaller. They are mostly designed to turn them on and just get started. For this reason, the lens, which cannot always be changed, is designed to simply photograph everything. Some cameras offer further setting options, but the primary focus is often the simple “point and shoot”. Hold on and release.

The advantages of a compact camera

Mobility

Regardless of whether it is a pocket, a backpack or simply in the hand the compact camera simply fits everywhere. You can just take them with you wherever you go. Due to its small size and hardly any weight, it is extremely mobile and no problem even on long journeys. This is a real advantage compared to a SLR camera 🙂

Service

These cameras are designed to be operated by laypeople and are therefore extremely easy and intuitive to use. They are entry-level cameras and although you can control aperture , ISO and exposure time in some models , you will look in vain for one or the other professional function. But that’s not bad, because it makes operation easier and one must not forget: the cameras are not made for this.

Universal

A compact camera with its fixed lens can be used universally in all situations. With a DSLR or DSLM you would have to take several lenses with you, such as a macro lens, a wide angle lens, a telephoto lens, etc … The compact camera combines all of this in one lens. Super zoom and macro are functions that can be found with these cameras. So you are prepared for every situation and it is not necessary to change the lens.

Depth of field

Now it’s getting a bit technical. Compact cameras have a very small sensor. The size of the image sensor has an influence on the focus area. This means that with a small image sensor you can get a large area of ​​focus. If you want to have as much sharpness as possible in the pictures, you need a small image sensor. Architecture and landscapes can be reproduced very well, while cameras with a larger image sensor would have to close the aperture significantly and therefore need more light.

Price

We’re still with the small image sensor. Because small sensors are cheaper to manufacture. There are also devices in the field of compact cameras that exceed £ 2000, but these also have a large image sensor. The purchase and entry into photography is extremely cheap with these cameras, and the enormous spread of smartphones further lowers the price.

Disadvantages of compact cameras

Of course the world is not perfect. Everything has its disadvantages and so of course compact cameras too. Below I have listed the most important ones for you.

Limited image quality

Compact cameras are all-rounders. They can do anything, but that also means they are not really good at anything. Anyone who can do a lot, offers everything and that at a reasonable price has to compromise somewhere. In this case, the small image sensor is to blame. Compared to DSLR / DSLM cameras, you have to compromise on sharpness, dynamic range and the ability to take photos in the dark ( ISO noise). Especially in demanding situations it is very difficult to achieve useful results for these small karmas. Taking photos freehand in the dark? Not a very good idea.

Limited quality of the lens

I already said that you always have to cut corners with an all-rounder. The same goes for the lens. The size of the lens and the usually enormous zoom result in a loss of sharpness, vignetting and chromatic aberration. In addition, every light reflex is reflected across the lens and makes photography almost impossible in some situations. Of course, I am comparing € 1,000 lenses with a £100 camera-lens combination, but you should know what you’re getting yourself into … It gets better (it always gets better)

Handling

A problem that I’ve had with many DSLM and bring cameras: They are simply too small. That makes it very mobile, but it is also demanding to use the small buttons and it happens again and again that you press 3 buttons at the same time. The cameras also have no eyepiece and you have to rely completely on the display. This can work, but in strong sunlight this display is almost useless.

Lens change

There are compact cameras in the higher-priced segment that offer the option of changing the lens. However, I now assume that you are using a device that does not offer this functionality. A lens that is permanently installed has advantages, but an upgrade or a change is simply not possible here. As a photographer you always want to adapt the camera to the given situation and that only works semi-well here.

Who is the compact camera for?

I can answer this question very easily. For everyone who wants a camera that just works. You don’t want to deal with many setting options? Just hold on, pull the trigger and receive a photo as a memento? Then this type of camera is perfect for you. It is small, light, universally applicable and also inexpensive. However, if you now expect the ultimate camera that perfectly photographs every situation at the push of a button, then you will be more likely to be disappointed. These cameras have technical limitations and are perfect for someone who just wants to capture memories.

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The Digital single-lens reflex (DSLR) camera purchase advice

The camera with the most widespread use is the single-lens reflex camera or DSLR. It is suitable for a large number of photographers and can be used both in the beginner area and in the professional environment. In this article we will clarify whether a SLR camera is worthwhile for you or not. Finally, I would like to recommend a few DSLRs that are particularly suitable for beginners, but also for advanced users and professionals. But remember: a better camera doesn’t make a better photographer. It doesn’t hurt to start small and adapt your equipment to your experience. Your driving school car didn’t have 800PS either 😉

How does a DSLR work?

The mirror reflex camera is a camera that works with a mirror. DSLR stands for D igital S ingle- L ens R eflex. The mirror comes from the analog era, because back then you had to be able to look through the lens without exposing the film. The mirror is thus the switch between the optical viewfinder and the image sensor.

If the DSLR camera is switched off (or has nothing to do), the mirror is also folded down and we can look through the lens through our viewfinder. The moment we take a photo, the mirror folds up, covers the viewfinder and releases the image sensor. Then it folds down again. That is the reason why you sometimes see nothing with DSLRs while taking pictures.

Tips for taking photos with the DSLR

I would definitely advise you to use the viewfinder, although many cameras can also show the image live on the display thanks to digital technology. The disadvantage of the display, however, is that it is reflective and sometimes makes it difficult to see something. Of course, we don’t have that with the viewfinder 😉 these cameras are also built to take photos with the viewfinder. The complete autofocus and the power of these cameras are in here and it is definitely worth keeping the display outside.

 Advantages of the SLR camera

high image quality

To put it simply, a larger image sensor often results in better image quality. Well, the smallest image sensor in a DSLR is an APS-C sensor. These sensors are far superior to those of compact cameras. Due to their large size, they have a higher resolution or can handle more megapixels much better than their smaller colleagues from the compact camera. The reason for this is that with a larger sensor, more light per pixel arrives and that ensures a significantly better quality, especially in poor lighting conditions.

In good situations, all cameras can deliver a good result, but in every one? This is something demanding, which usually requires appropriate equipment.

Versatility of the DSLR

An SLR can do everything. Due to the possibility of interchangeable lenses and the almost endless setting options, we can use them in every area, which is also the reason that they can be found in every area. By screwing on another lens, we can bring distant subjects closer or capture gigantic landscapes in a single photo. The setting options of the DSLR are not only aperture , ISO and exposure time , but also white balance , autofocus and so much more. As a result, they are definitely superior to compact cameras, which were made for everything, but which cannot be specialized in one particular area.

Battery life

I still compare the subject with compact cameras, because DSLRs and DSLMs represent the next step after a compact camera or smartphone. The battery life is definitely enormous. How long can your cell phone or compact camera run before you need a new one? For me it is 7-8 hours (with two rechargeable batteries in the battery grip) and up to 4000 photos. The whole thing depends a bit on the situation, but many should realize that it is significantly more than what is possible with cheap cameras. So a big plus for the DSLR.

Speed

Probably the most important point from my point of view. So as a professional you have completely different demands on the camera. But even for beginners it is a huge advantage if the camera does not have to think for 1-2 seconds after triggering before we can look at a picture, but if everything is displayed immediately and live. I’m not talking about as many pictures as possible in the serial picture, but about general handling. Do you always want to wait a moment for a picture to appear? Or until the camera has finally written the image to the memory card? Probably not … But there is more, because the autofocus is of course much faster and more reliable. Setting the focus in milliseconds ensures that you really don’t miss any more moments!

Lenses

Maybe someone knows this well-known picture, which shows Canon’s lens park. This gigantic mass of lenses also gives us an incredible number of possibilities. There is a suitable lens for every situation, so nothing is left to be desired. What is often solved with an extreme zoom lens in compact cameras can now be solved with a variety of specialized lenses. But of course you don’t always have to go to the actual manufacturer of the camera if you want the right lens. You can also work with third-party manufacturers such as Tamron or Sigma. These offer a wonderful and, above all, often cheaper alternative.

Disadvantages of the DSLR

Nothing is perfect. Of course, the SLR camera also has disadvantages and I’ll show you a few reasons why you shouldn’t use DLSRs right away.

Weight and height

Please do not get me wrong. There are also small lenses and small DSLR cameras, but for many this factor is crucial. Imagine you are planning a vacation and you have to prevent a camera with 3 lenses in your luggage … A compact camera would be tempting. For example: a good full frame DSLR with a standard lens.

  • Canon 700d + KIT: approx. 800g
  • Canon 6d II + 50 1.2 + 35 1.4 + 24-70 2.8: 2.8 kg

These are all exemplary values ​​now, but larger cameras and lenses ensure that they take up more space and of course additional weight. It doesn’t really matter whether you use the DSLR or a system camera (DSLM). The DSLM is slightly ahead here, but in the end that doesn’t mean much. You have to be aware that you have a big and heavy camera with you.

Your own claim

This is something that I noticed again and again on my photo trips. When I travel with a DSLR, I need to take good photos. Over time you start to professionalize everything and look for the perfect photo. After all, a huge camera was dragged around with you all the time that cost several thousand yours. So why should you photograph something that you could have photographed with your mobile phone? Maybe it’s just me, but it can happen to you that you develop too high demands on your pictures and start to forget the actual memories and just stop taking those typical mobile phone photos.

Who should buy a DSLR?

A DLSR is not for everyone. If you are looking for a point and shoot camera, you should go for a compact camera. We are in an area where our purchase was unnecessary if we did not capitalize on the potential of this camera. So who is an SLR camera for?

  • Ambitious beginners who want a lot of performance for little money should use a DSLR or DSLM.
  • If you want a camera system that you can upgrade easily. (with new lenses or purchased lenses fit on new cameras again)
  • You are looking for an extremely wide range of accessories. Because the DSLR / DSLM market is extremely large and there is actually nothing that does not exist 😉
  • You want to rely on reliability and speed.

Some buy recommendations

Entry-level DSLRs

If you are looking for a cheap entry into DSLRs, the three-digit models from Canon or Nikon are very well served. Here you can get the models even cheaper if you buy older used ones. Canon’s 650d is still a good camera today!

Canon cameras with KIT lens: Canon 2000D * – Canon 1300D *  – Canon 800D *

Nikon cameras with KIT lens: Nikon D5300 * – Nikon D5100 *

Sony cameras with KIT lens: Sony Alpha 68 *

Advanced DSLRS

Canon camera with KIT lens: Canon 77D *

Nikon camera with KIT lens: Nikon D7200 *

Professional DSLRs with full frame sensors

Canon full format entry: 6D II + kit lens *

Nikon full frame entry: D750 *

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The perfect setting for couple photo shooting

The perfect setting for couple photo shooting

Time stands still for a couple in love – ideal when this moment is captured photographically. For couple photographers, it is a nice challenge to capture the affection of two people for one another through a professional shoot.

The recordings are not as intimate as with a selfie, but a photographer can perceive even more and has completely different technical possibilities.
And the couple can concentrate on the most important thing: their love.

Every couple who wants a photographer to capture their love for one another is unique. The challenge for a couple photographer is to depict this uniqueness and to tease it out with the design of the shoot. In one moment, as in storytelling, a whole story can be told – the same goes for the relationship between two people.

Giving away couple photo shoots


in the time of the greatest bond between two partners, both feel like they are in abundance. So it makes sense to give away photos of the couple in love together. With such a couple shoot, there are many different ways to perfectly reflect the happiness of the two.

Giving away a photo shoot is a highly analogous affair. And so the region in which the couple lives is sometimes the most important selection criterion. Next, a couple has to decide which style they prefer: romantic, elegant or rather crazy and unusual? In order to implement this, the shooting location, the couple’s outfit and the posing are adjusted accordingly. There are no limits to your imagination. Is there a special occasion for the gift, such as an anniversary or wedding anniversary? A very special quality or a hobby that the couple share? The ideas for designing the shoot are diverse and make the decisive difference.

What are the ingredients for successful couple photos?


The inner image of a couple of themselves is captured in the best case in the most beautiful facets and colors in the photos. In order for a couple shoot to deliver exactly the images that a couple wants of each other, it is important that the ingredients are precisely coordinated. Before the shoot begins, a photographer should discuss the details with the couple so that the right preparations can be made.

The right location:


The photo location is selected depending on what a couple wants. Probably the best lighting conditions can be created in the studio, but maybe it should be an outdoor location that best characterizes the couple or where they feel particularly comfortable?
Is it supposed to rain confetti or have a crazy lifting figure built in? Then the location must offer the opportunity to implement these ideas.

The right outfit and appearance


the picture is about a natural expression, but it can look flawless. In order for both to make the best possible impression, it is an advantage to be able to offer make-up or hair styling during the shoot. It probably makes the couple feel more confident about getting professionally styled beforehand. The outfit should also be designed in such a way that it can withstand years of observation. In the case of a wedding or engagement, a couple may want to have their valuable outfits or accessories properly staged.

Posing


Of course, a photo shoot is a posed situation. However, it must not look like this in the subsequent photos. For photographers as well as for couples, it is a challenge to create poses that are as natural as possible in a photo shoot and positions that appear authentic and unsteady. All tips that help the couple to come across as relaxed and relaxed are helpful: For example, the wish whispered in the ear for dinner or the instruction from the photographer to think about the most beautiful moment in their life. Keeping an eye on the couple outside of the official photo shoot can also make a great picture.

Proper Technique


Photographic equipment and shooting techniques should be professional and appropriate. The photographer should know what his strengths are or what technique he thinks works best to portray the couple and the situation. However, technology should never be more important than capturing the special moment between the couple or makcalendar, the former competitive swimmer is not only causing a sensation with his customers with his wedding photos. In just five years as a wedding photographer,  Steven Herrschaft has already received over 100 awards for his pictures: Masters of Wedding Photography,  Fearless Award , Editor’s Choice Award – the list of honors doesn’t seem to end.

How does this young photographer do it? Soft focus is not his method of choice. Striking shadows and unusual perspectives, in which the groom’s bare feet come into focus, are more of a technical description of his style. But what sets him apart is his experimental and intuitive approach. In the style of a street photographer, he throws himself into the action and follows his instinct. He also regularly celebrates at the weddings until the end – every weekend anew. His finding: the chemistry with the couple has to be right, then emotions can best be captured.

To capture the right snapshots of a couple, you need to be imaginative and spontaneous. This is especially true for the photographer, because then he can still get a lot out of an initially self-conscious couple. In the best case scenario, the photo shoot turns into a romantic experience or a happening that the subsequent photos are only too happy to remind of.

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Wide angle lens – lens advice

Wide angle lens - lens advice

What is a wide angle lens?

All lenses with a very short focal length are called wide-angle . The focal length here is roughly between 10mm & 40mm. But what does that mean? Such a short focal length has a significantly larger angle of view than the human eye. We would have to turn our heads to capture the entire scene (or use both eyes 😉) The camera can capture all of this in one picture. So we can easily get a very large subject or a normal subject with little space in one picture.

What can I use a wide angle lens for?

Wide-angle lenses are very popular in landscape photography, but can be used in all areas. Whenever you have a large subject or there is not much space available, a wide angle is used. It can now be a gigantic landscape, a large building, or a small apartment that is to be rented out. Yes, it is also great to use a wide-angle lens in a small apartment, because it not only makes the apartment look bigger, but is also the only way to get the entire space in the picture.

In which areas is a wide angle still used?

Actually, whenever I want to show a lot of the surroundings. This can of course also be the case with a portrait. As you can see in this example, you can see the details in the picture as well as an incredible amount of the background. If I go more into the partial area and use a 35mm lens instead of a 17mm, we still have a lot of background in the picture, but significantly less than before.

Wide angle shot at 35mm

Wide angle shot at 17mm

The wide angle effect

Taking pictures with one has a certain effect on your pictures. First of all, everything seems bigger. The distance between the individual elements in your photo looks like there are several meters between them. The smaller the focal length, the stronger this effect is.

Subjects that are very close to the camera appear very large and puffed up and the further you are away from the camera, the smaller everything looks. I have the following example for you.

The arm in the picture looks huge, but the head is almost normal

Wide angle distortion

The extreme angle of view that a wide-angle lens brings with it not only results in the wide-angle effect, but also other distortions that cannot be avoided.

Here one speaks of a perspective distortion. The shorter the focal length , the closer the subject and the greater the angle of inclination, the stronger this effect becomes.

A perfect example of this is supportive lines. If you photograph lines (for example of high-rise buildings) from below or from above, it looks as if the lines are falling over. This can also happen if the lines are on the edge of the image.

This effect can be avoided by photographing the building from the front on the same level as possible. However, this is not always necessary, because it sometimes looks great when you integrate the effect of the “falling lines” in your subject and intensify it even further with a deep perspective.

The lanterns on the side lean slightly towards the centre as the picture was photographed from a deep perspective

No crashing lines as the picture was just photographed from a higher perspective

Focus range with the wide-angle lens

If you want to work a lot with a low focus range, it is difficult with a wide angle. Because the shorter the focal length , the larger the focus area. A diaphragm 4 on a wide angle therefore has a significantly larger field of focus than on a telephoto lens. You should definitely keep this in mind when buying a wide-angle lens. If you like to take photos with blurring, you should either pay attention to a large revelation when buying or use the normal lens. Because an aperture 1.8 on a 50mm, for example, cannot be compared with a 1.8 on a wide-angle lens e.g. B. 18mm.