Tag: tutorials

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Shooting Action Shots in Low Light Conditions

Shooting Action Shots in Low Light Conditions

I enjoy getting out to sporting events both indoors and outdoors with my digital electronic camera. Just recently I went to view tennis and took a couple of hundred shots over the day.

Recently I have been getting a few demands to please help with quick action shots inside your home. I remember when I too was frustrated with not having the ability to get a reaction from expert photographers about this situation. They were constantly so elusive with how they conducted themselves out on the field and what they did to get a certain result.

Now I’m going to tell you about how to master this. Do you want to hear the good news or the bad news?

Okay, the good news is that yes, it is possible. Bad news is that you do require a good electronic camera with manual controls to do it. Now because you have currently read this I am assuming that you have either a point and shoot camera or a DSLR. In either case, it’s better than an inexpensive electronic camera that does nothing.

Okay good, so we got that developed.

The trick is this: the factor fast action shots look blurred is generally because they are taken in level of low light, such as an indoor basketball arena for instance. What occurs is the electronic camera, if left on automobile, instantly changes itself to low light levels, which means a slower shutter speed. A slower shutter speed takes place the cam requires time to get in as much light as possible due to this low level of light. Its great from the electronic cameras point of view, but really, it’s annoying and frustrating.

So what can be done about it?

Well firstly, boost that shutter speed. You may observe a boost in digital sound however it will only be slight so do not worry about it. After all it’s most likely worth it for that ‘golden’ picture you are trying to get.

It’s going to be hard getting more light into the cam, since usually you’ll be too far for the flash to work properly anyhow. This is why your shutter is the very first factor to consider.

Something that might help further is this: Shot one, take the shutter at a specific speed, then shot the second, increase the shutter speed one notch, shot third time then increase it again, and so on and so forth. If you have the persistence and inclination, write down on a note pad exactly what shutter speed shot 1 was at, what shot 2 was at, and so on.

So unwind and deal with what you’ve got. Increase the shutter speed or increase the light.

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How to Overcome the Problem of Converging Verticals

Converging Verticals

When taking photos of structures one of the challenges that confronts professional photographers is that of Converging Verticals?

Converging Verticals is a term utilized to describe the impact in images when 2 parallel lines in an image (such as the two sides of a building) appear to get closer (converge)- as if they are leaning in towards one another at the top (as in the picture to the left which is of the Rialto towers in Melbourne- towers that do not get narrower towards the top up until the last few floorings).

The result is most obvious when you angle your camera up when taking a picture of a high structure in an effort to fit all of it in. It’s particularly obvious when utilizing a wide angle lens.

What should a photographer do about converging verticals?

Professional photographers have a number of alternatives available to them.

Improve it – as with all types of distortions in photography- one alternative is to improve it and utilize the Converging Verticals to attain a more remarkable image. You can enhance the assembling lines, however, getting closer to the structure, angling your video camera even more and by using wider angle lenses.

Reduce it – if you desire to avoid the converging verticals in electronic camera you will most likely need to move further back from the structure that you’re photographing. This will mean you will probably get more of the foreground in your end image- but you can always crop this later on. Another method to get more parallel to the building is to take the shot from higher up.

Correct it – if you are not able to alter the point of view that you are shooting from and just end up with assembling lines in your shots another option is to do some post production editing. Most image modifying software will have some way of doing this. For example, in Photoshop Elements there’s a ‘Transform- Viewpoint’ option in the ‘Image’ menu. This is how the image to the right had its converging verticals corrected.

Modification Lenses – finally, if you have a budget plan and will be taking a great deal of architectural images you may like to invest in a unique lens that has the capability to correct converging verticals. These Viewpoint Control/Tilt Shift lenses are able to move the lens axis (or optical centre) to make up for the distortion. Such lenses are not inexpensive – so unless you’re going to be getting seriously into the photography of buildings you may wish to utilize one of the other choices mentioned above to repair the problem of converging verticals.